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Rock Band Interview with Billy Johnson
Billy Johnson's Roadshow is a CD and a band
with plenty of soul to make you move!! In this intimate interview, get
to the bottom of BIlly's folk, soul, funk, and rock roots.
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Billy
Johnson's Roadshow

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Buy Roadshow
Billy Johnson's latest release!!
Preview 2 songs:
Freedom
Song, Pretty
Billy Johnson's Roadshow is the creation
of singer/songwriter Billy Johnson and drummer/producer David J
Russ. It is an ensemble of some of the Twin Cities finest and friendliest
musicians playing something you might call organic funk and roll.
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Learn a Guitar Riff from the song "Pretty"
off of the Roadshow CD!
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"Pretty" Chords
First, learn to play the chords below. Pay
close attention to the fingering - you will use the same fingering
to play the "Pretty" Riff!

"Pretty" Guitar Riff
Strum Mutes - use both your right palm and your left hand
to play these. See Access Rock's Strum
Muting Lesson for more info.

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A Short Bio
Whether fronting The Hillcats, Billy Johnson's
Roadshow, or performing solo with just his acoustic guitar,
Billy Johnson shines. In 2000 and 2001, Billy was nominated for
best male vocalist by the Minnesota Music Academy, losing out both
years to Jonny Lang. 2002 could be his year!
The Interview
Access Rock: You grew up in Burnsville,
Minneapolis?
Billy: Yah, I'm grew up a suburban
boy.
Access Rock: Do you live there still?
Billy: No, I live in South Minneapolis.
Access Rock: What was the music scene
like in Minneapolis 15 years ago up to present?
Billy: We'll you know, I'd like to
think the hey day is now (laughs), but when I was in high school there
were The Replacements and later on Soul Asylum.
That's kinda what I grew up on. It's a pretty cool city for me. A lot
of places to play, a lot of bands playin'. It's also a really friendly
and supportive place to play.
Access Rock: I didn't know Soul
Asylum was from Minneapolis.
Billy: Yah, occasionally you will
see them down at this bar, the 400 bar, where they will bartend for the
night (laughs).
Access Rock: Tell me how your band
Roadshow got started?
Billy: I was playing in town here
for a good six or seven years with a band called The Hillcats.
They were more roots-rock or alt-country. We split and as that was happening,
I had gone in and started recording some songs with a buddy of mine, David
Russ, a drummer here in Minneapolis. He plays with just about everybody
in town. I didn't have any sort of plan...I was just spending money (laughs),
having friends come in and play and put down parts. Eventually about a
year later, we had an album and enough people who wanted to play live.
It's sort of like an all-star band (laughs).
Access Rock: Do you plan on keeping
it like that?
Billy: You know, there is a solid
group of six of us that are pretty serious about the music, so.... we're
playing a lot around here now, but hopefully we'll get out of the state
soon.
Access Rock: I saw on your web
site that you were playing recently in Nashville, or was it New York?
Billy: I haven't played out of town
with Roadshow, but I have played a couple of solo shows in New
York City. Roadshow hasn't played more than five
hours out of Minneapolis (laughs). We're in the middle of America!
Access Rock: We'll hey, you can start
anywhere. Freedom song I really like - it has some funky rhythm guitar
on it. Are you playing that part?
Billy: Yah - I really have never
played anything but rhythm guitar. Occasionally I'll dabble with some
lead stuff. I like that song too. It's got some very cool drum loops and
the female vocals on it are really good.
Access Rock: Yah, I really like her.
So you said you don't have any formal training, right?
Billy: No, I pretty much taught myself
how to play guitar. I grew up singing - my Mom, Dad, and Sister are pretty
musical. We grew up singing in church together. Singing is just something
I've done and I love since I can really remember. Yah, and I wish I knew
what I was doing on the guitar (laughs)!
Access Rock: The drum loops on the
album, did the producer help you with those?
Billy: Yah - actually about halfway
through when we really needed it, he (David Russ)got Pro Tools. A lot
of it is me trying to explain what I want, and him being able to produce
it and come up with the rhythm I'm describing. Dave also has a funky little
studio in town where everybody likes to record (cheaply). We could take
our time which was great because about half of it got written as we were
going along. It was a really laid back atmosphere, which I love because
I don't necessarily love recording. I'd prefer to be playing for twenty
people in a room. Recording is more like work.
Access Rock: It is, no doubt. You
listen back to what you did and it doesn't sound anything like what you
thought it sounded like!
Billy: There are some things I enjoy
about it. I like the camaraderie of it, just kind of hangin' out. And
I think you get better as a musician putting all of that time in.
Access Rock: Yah - you come out of
recording for a couple weeks and feel like you can take on the world!
Did you have just parts of songs written before you recorded?
Billy: I guess on a couple. I probably
went in with about seven complete songs. Some got written on the way.
Access Rock: You had some co-writers
on it?
Billy: Not much, I don't do a lot
of that. I've got a buddy who lives in New York who writes stuff for me.
He'll mail me something from wherever he's living. There is a song on
the album which he wrote most of. It seems like it would be hard to write
together with somebody.
Access Rock: Tell me about the big
influences on your songwriting?
Billy: This is always the hardest
question for me.
Access Rock: I mean... do you start
out at a certain point as far as a rhythm or a groove, putting something
on top of that?
Billy: I don't know if I have a method,
time, or a place where I write.. sometimes I wish I would but it's in
the car, in the bathroom, as I'm about to fall asleep. I'll sit and play
guitar every day, but the ideas for the substance just kind of come to
me all day. I have teeny little pieces of paper laying around everywhere.
It's kind of like that. I think the best ones are the songs that come
all at once. Someone was talking about writing and they said, 'Right when
you are feeling really hungry and feel like writing more, stop and get
up from it and try to get that hungry again.
Access Rock: As far as the influence
question, did you grow up listening to everything?
Billy: You know what, I still do.
I manic that way, I think. The last couple of CD's I bought were this
Nora Jones CD (female singer) and ZZ Top's Greatest
Hits! Growing up... high school in the late 80's, I listened to a
lot of Van Halen, Bon Jovi, and stuff
like that (laughs).
Access Rock: Especially Van Halen,
they are one of the greatest rock bands of all time, if you ask me!
Billy: I didn't like Van Hagar or
the other Van groups, but when David Lee Roth was in the group, they were
pretty damn cool. I really listen to everything. I don't know if I really
try to emulate anything so much. You probably are constantly stealing
things from people. I feel like I more influenced by people who are close
to me than anyone famous. I wanted to sing 'cause my sister sang, I had
a few friends who were older who played and I thought it was cool. I notice
my mannerisms on stage will sometimes throw me into a flashback of who
they were at 18(laughs).
Access Rock: How is the distribution
of the CD going?
Billy: It's mainly local here. It's
a cool place[distributor] run by a friend of mine. The CD is in a lot
of local stores in Minneapolis and some stores outside the city. Let it
Be, Electric Fetus, Cheapo, and a bunch of other places. I'm happy to
give them business if I can.
Access Rock: You bought a lot of
records there, right?
Billy: Yah. The distribution is not
on a grand scale yet. But, It always amazes me when I get my little my
sheets back from the distribution company...'Steve Andersen in Santa Monica'
[bought a CD] and like I never played there.
Access Rock: Where do you see the
band in five years?
Billy: I'd love to record again soon...I'd
like to get rid of some of these albums that are shoved in my closet,
here! I would love to be a little more ambitious than we are now... traveling,
playing. I like the idea of being in control of the creative aspect and
the business aspect of things. You know, everybody wants to get signed
and everybody wants to be famous. Maybe it's because I'm a little older
and I've done it for awhile.. tried some of that stuff. There are enough
people in town here who are making a good living, traveling nationally
and regionally playing their music. They're in complete control - have
their own label. That seems a little more feasible. I don't really need
to be making much more money than I'm making right now...it would be nice,
but it's kind of the secondary part of it for me.
Access Rock: Yah, that's the way
it's gotta be in this business.
Billy:
There are people that are goin' that route, dying to me on some major
label.[ In five years], I'd love to be playin' with the same people. We
get along really well. I really respect them as musicians and people.
Access Rock: What other artists are
you listening to now?
Billy: I
like this guy Jack Johnson. The music is in the same vein as mine. I've
always been a huge Prince fan. I was a tad disappointed with his last
couple of things, but his newest one, The Rainbow Children is pretty
cool despite all of the confused religious stuff in it(laughs)! He's amazing
to me as an entertainer, musician, and he plays everything.
Access Rock: What
advice would you give young artists who are starting out?
Billy: This
might be like 'la, la Disney World advice', but just play a ton. Play
as much as you can, write as much as you can. Like I was saying, I think
it's worth while to be in control of your songs at least for a while.
Some of the younger people here in town have signed deals, pissed everything
away to somebody who was blowing them off three months later.
Access Rock: Yah,
a lot of the other bands I talk to say the same thing. You have to retain
control of your own music.
Billy:
I try to go out and check out what's goin' on in town, just because I
like music(laughs). There can get to be little, weird kind of exclusive
scenes in a town. I like that about where I am because I feel like the
genres cross over here and there and people are pretty open to different
styles of music. I think that's always good to keep an open mind. Writing
for me, it's like I have to slow down. Life's happening around me and
if I don't take time to sit and kind of observe it, I can't write worth
a damn.
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